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Veronka resin sculpted by Carol Williams – Traditional scale (about 1:9) .
Finished in December 2016.
Modifications: simple prepping, lengthen back, new mane.
Painting technique: acrylics and earth pigments. The whole covered with a satin varnish, eyes, nostrils – glossy varnish.
Finished in December 2016.
Modifications: simple prepping, lengthen back, new mane.
Painting technique: acrylics and earth pigments. The whole covered with a satin varnish, eyes, nostrils – glossy varnish.
Willoughby resin sculpted by Brigitte Eberl – Traditional scale (about 1:9)
Finished in November 2016.
Modifications: complex prepping, retextured tail, new mane, retextured base.
Painting technique: acrylics and pastels. The whole covered with a matt varnish, eyes and nostrils– glossy varnish.
Finished in November 2016.
Modifications: complex prepping, retextured tail, new mane, retextured base.
Painting technique: acrylics and pastels. The whole covered with a matt varnish, eyes and nostrils– glossy varnish.
German Riding Pony resin sculpted by Brigitte Eberl – Traditional scale (about 1:9)
Finished in October 2016.
Modifications: complex prepping, retextured tail, new mane.
Painting technique: acrylics and pastels. The whole covered with a matt varnish, eyes – glossy varnish.
Finished in October 2016.
Modifications: complex prepping, retextured tail, new mane.
Painting technique: acrylics and pastels. The whole covered with a matt varnish, eyes – glossy varnish.
Ohschonda resin sculpted by Brigitte Eberl – Large Traditional scale (about 1:8)
Finished in October 2016.
Modifications: complex prepping, retextured mane and tail.
Painting technique: acrylics and pastels. The whole covered with a matt varnish, eyes – glossy varnish. She received Horsing Around horseshoes.
Finished in October 2016.
Modifications: complex prepping, retextured mane and tail.
Painting technique: acrylics and pastels. The whole covered with a matt varnish, eyes – glossy varnish. She received Horsing Around horseshoes.
Valor resin sculpted by Carol Williams – Traditional scale (about 1:9)
Finished in September 2016.
Modifications: simple prepping, new mane, lengthen hooves.
Painting technique: acrylics and pastels (pastels, airbrush– shading , brush – details). The whole covered with a matt varnish, eyes – glossy varnish.
Finished in September 2016.
Modifications: simple prepping, new mane, lengthen hooves.
Painting technique: acrylics and pastels (pastels, airbrush– shading , brush – details). The whole covered with a matt varnish, eyes – glossy varnish.
Hornet resin sculpted by Maggie Bennett – Traditional scale (about 1:9).
Finished in August 2016.
Modifications: simple prepping.
Painting technique: acrylics and earth pigments. The whole covered with a satin varnish, eyes – glossy varnish.
Finished in August 2016.
Modifications: simple prepping.
Painting technique: acrylics and earth pigments. The whole covered with a satin varnish, eyes – glossy varnish.
Akelei resin sculpted by Brigitte Eberl – Traditional scale (about 1:9).
Finished in June 2016.
Modifications: complex prepping, retextured mane and tail.
Painting technique: acrylics, watercolors and earth pigments (pastels - shading, watercolors - dapples, brush - details). The whole covered with a satin varnish, eyes and nostrils – glossy varnish.
Finished in June 2016.
Modifications: complex prepping, retextured mane and tail.
Painting technique: acrylics, watercolors and earth pigments (pastels - shading, watercolors - dapples, brush - details). The whole covered with a satin varnish, eyes and nostrils – glossy varnish.
Phoenix resin sculpted by Kitty Cantrell – Traditional scale (about 1:9)
Finished in June 2016. Jazzy portrait.
Modifications: complex prepping, surface smoothing.
Painting technique: acrylics and pastels (pastels, airbrush– shading , brush – details). The whole covered with a satin varnish, eyes – glossy varnish.
Finished in June 2016. Jazzy portrait.
Modifications: complex prepping, surface smoothing.
Painting technique: acrylics and pastels (pastels, airbrush– shading , brush – details). The whole covered with a satin varnish, eyes – glossy varnish.
Roy de Deuxieme resin sculpted by Brigitte Eberl – Traditional scale (about 1:9).
Finished in April 2016.
Modifications: complex prepping, retextured mane and tail, retextured base.
Painting technique: acrylics and earth pigments. The whole covered with a satin varnish, eyes – glossy varnish.
Finished in April 2016.
Modifications: complex prepping, retextured mane and tail, retextured base.
Painting technique: acrylics and earth pigments. The whole covered with a satin varnish, eyes – glossy varnish.
Nazeer resin sculpted by Brigitte Eberl – Large Traditional scale (about 1:8).
Finished in April 2016.
Modifications: complex prepping, retextured mane and tail.
Painting technique: acrylics and pastels (pastels, earth pigments– shading , brush – details). The whole covered with a satin varnish, eyes and nostrils– glossy varnish.
Finished in April 2016.
Modifications: complex prepping, retextured mane and tail.
Painting technique: acrylics and pastels (pastels, earth pigments– shading , brush – details). The whole covered with a satin varnish, eyes and nostrils– glossy varnish.
Caitano resin sculpted by Brigitte Eberl – Large Traditional scale (about 1:8)
Finished in March 2016.
Modifications: complex prepping, new mane and tail.
Painting technique: acrylics and pastels, earth pigments (pastels– shading , brush – details). The whole covered with a satin varnish, eyes and nostrils – glossy varnish.
Finished in March 2016.
Modifications: complex prepping, new mane and tail.
Painting technique: acrylics and pastels, earth pigments (pastels– shading , brush – details). The whole covered with a satin varnish, eyes and nostrils – glossy varnish.
Siegfried resin sculpted by Brigitte Eberl – Traditional scale (about 1:9).
Finished in February 2016.
Modifications: complex prepping, retextured tail, new mane.
Painting technique: acrylics and pastels, earth pigments (pastels– shading , brush – details). The whole covered with a satin varnish, eyes, nostrils and tongue – glossy varnish.
Finished in February 2016.
Modifications: complex prepping, retextured tail, new mane.
Painting technique: acrylics and pastels, earth pigments (pastels– shading , brush – details). The whole covered with a satin varnish, eyes, nostrils and tongue – glossy varnish.
Lombard resin sculpted by Brigitte Eberl – Large Traditional scale (about 1:8).
Finished in January 2016.
Modifications: complex prepping, new mane and tail by Amanda Brock then retextured by me.
Painting technique: acrylics and pastels (pastels, earth pigments– shading , brush – details). The whole covered with a satin varnish, eyes and nostrils– glossy varnish.
Finished in January 2016.
Modifications: complex prepping, new mane and tail by Amanda Brock then retextured by me.
Painting technique: acrylics and pastels (pastels, earth pigments– shading , brush – details). The whole covered with a satin varnish, eyes and nostrils– glossy varnish.
Amaretto resin sculpted by Brigitte Eberl – Traditional scale (about 1:9).
Finished in January 2016.
Modifications: complex prepping, cut mane and tail.
Painting technique: acrylics and pastels (pastels, earth pigments– shading , brush – details). The whole covered with a satin varnish, eyes and nostrils – glossy varnish. He received Horsing Around horseshoes. His tail is bendable from side to side and up and down.
Finished in January 2016.
Modifications: complex prepping, cut mane and tail.
Painting technique: acrylics and pastels (pastels, earth pigments– shading , brush – details). The whole covered with a satin varnish, eyes and nostrils – glossy varnish. He received Horsing Around horseshoes. His tail is bendable from side to side and up and down.